Lyon & Co. v London City (Case Analysis)




Title

Lyon & Co. v London City and Midland Bank [King’s Bench Division] [1903] 2 KB 135

Parties

Lyon & Co. (The Plaintiffs)

London City and Midland Bank (The Defendants)

Facts of the case

On August 7, 1901 the plaintiffs, a firm of upholsterers, part of whose business consisted in letting chairs for hire for use in places of public entertainment received a memorandum in writing from one Brammall, who was the owner and occupier of the Brighton Hippodrome, to supply on hire specific chairs for use the above Hippodrome. The plaintiffs accepted the order, and in due course supplied the chairs on the terms contained in the memorandum. When the chairs were delivered, they were, in compliance with the requirements of the local authority, Brighton Town Council, fastened to the floor of the Hippodrome by screws.

Brammall later, on October 18, 1901, mortgaged the Hippodrome to the defendants, “together with all fixtures whatsoever now or at any time hereafter affixed or attached to the said premises or to any part thereof other than and except trade machinery as defined by s. 5 of the Bills of Sale Act, 1878.” On November 18, 1901, Brammal hired the chairs for further period of twelve weeks from that date and he had never exercised his option of purchasing the chairs.

The defendant bank entered into possession of the Hippodrome under their mortgage on August 25, 1902 and the plaintiffs later formally demanded delivery up the chairs from the defendants. The present action was brought since the demand was not being complied with, in which the plaintiffs first, claimed delivery up of the chairs, or in the alternative their value; second, damages for wrongful detention of the chairs from the date of the formal demand; and third, an injunction to restrain the defendants from selling or parting with them without the consent of the plaintiffs.

Issue

Whether the dispute chairs by virtue of degree of annexation and object of annexation amount to fixtures so as to constitute part of the freehold and pass by the mortgage to the mortgagee.

Argument by both parties

Lyon & Co. (The Plaintiffs)

The chair was not fixtures and did not pass to the defendants under their mortgage.

The mere fact that they were screwed to the floor is not enough in itself to make them fixtures. The mode of annexation must be such as to constitute a permanent improvement of the freehold: Norton v. Dashwood; Hobson v. Gorringe; Reynolds v. Ashby. In re De Falbe, if the purpose of the annexation be the mere temporary improvement of the freehold or the better enjoyment of the chattels as chattels they will not pass with the freehold.

The chairs could be easily removed without doing any injury to the freehold and the annexation was intended to be temporary only (they are the subject of a mere agreement for hire) and not for the permanent improvement of the building.

By allowing the mortgagor to remain in possession the mortgagees acquiesced in the agreement between the plaintiffs and the mortgagor as to the chairs: Gough v. Wood.

London City and Midland Bank (The Defendants)

The chairs passed as fixtures to the defendants as mortgagees of the freehold.

The mode of annexation was the same as in Hobson v. Gorringe, where a gas-engine affixed to the freehold by bolts and screws in order to prevent it from rocking was held to be a fixture passing under a mortgage and the fact that the engine being the subject of a hire-purchase agreement is not an element in determining the question of the intention with which the chattel is affixed to the freehold: Reynolds v. Ashby.

The mere fact that the chairs were removable does not prevent their being fixtures: Dixon v. Fisher.

It is true that in Hellawell v. Eastwood it was held that chattels affixed to the freehold for a temporary purpose were distrainable for rent and did not become part of the freehold; but that does not apply to cases where the object of the annexation is to improve the inheritance or to render more effectual the enjoyment of the premises: Holland v. Hodgson.

In the present case the chairs were intended for the better enjoyment of the Hippodrome as a building, and the object and effect of their annexation was the permanent improvement of the building as a place of public entertainment.

Ratio

Judgment by Joyce J (who in favoured of the view of North J. in Cumberland Union Banking Co. v. Maryport *48*atite Iron and Steel Co.[1892] 1 Ch. 415.)

The present case in hand dealt with seats, and not with engines, boilers, or trade machinery. The seats were complete in themselves and might have been used as seats without any annexation, though no doubt, apart from the requirements of the town council, it was better, considering the place where and the purpose for which they were used, that they should be screwed down to the floor.

The agreement under which these chairs were provided was not an ordinary hire-purchase agreement. The agreement in the present case, though an agreement for hire only, contained an option of purchase; but that option was never exercised. At the date of the mortgage the owner of these chairs was the plaintiffs, and it never passed to Brammall, the mortgagor, who had only that special property in them; it is difficult, therefore, to understand how the legal ownership could have passed to the defendants by virtue of their mortgage.

No doubt a chattel on being attached to the soil or to a building prima facie becomes a fixture, but the presumption may be rebutted by showing that the annexation is incomplete, so that the chattel can be easily removed without injury to itself or to the premises to which it is attached, and that the annexation is merely for a temporary purpose and for the more complete enjoyment and use of the chattel as a chattel.

The mode of annexation of these chairs to the freehold is analogous (comparable) rather to the mode in which a carpet is fastened to a floor than to the mode in which engines, boilers, and heavy machinery are affixed to the freehold, and moreover the purpose of the annexation is only temporary. These chairs did not cease to be chattels on being screwed to the floor and the property in them did not pass to the defendants.

Held

The chairs did not cease to be chattels because they were screwed down to the floor, and that the property in them did not pass as against the plaintiff to the mortgagee of the freehold under a mortgage of the building and fixtures.

Shh... may I spill my guts to you?





Shh... Since you have been so good to me, I have decided to risk myself by sharing my secret with you. In return, you shall not breathe any word about it to anyone, not even to your closest friend and not to yours past you. Deal? Whoops... (yours past you?) It’s looked like my previous practise in controlling my tongue not enough useful. It’s not the right time, yet!

It began a couple years ago, my late great-grandfather on his deathbed, gave me an old not functioning stopwatch. He must be completely out of his mind at the moment he decided to give me the stopwatch, I mean, what it use for? He glanced deep inside me with his brown hazel dying eyes and said, “Use it wisely. The price that you need to pay is too expensive for you to waste every single chance, but I never regret when I use it because the expensive price is nothing more than your effort to change the future and your determination to revive what goes bad, count the most.”

It’s like a sharp paint deep inside your heart to lose someone you really love but for me, the journey is just about to begin. To make it short, finally, I have successfully discovered what the stopwatch actually is, from my late great-grandfather’s dusty diary. The stopwatch appear to be an ordinary, old not functioning object but the secret lies behind it, is not ‘ordinary’ and more than just an ‘old not functioning object’.

It’s not too extreme for me to classify the stopwatch as a machine. A machine that can brings you back to yesterday, last week and even the time before your birth date. (I’m not sure whether it can brings you back to prehistory or ancient civilization era because I had never tried that particular period before). The stopwatch will start functioning when you have done something bad that you regret in the past. Unfortunately, every time I use it, it requires me a minus one day from my life, meaning that if I destined to die on Saturday 70 years from now, once I used the stopwatch for the first time, 70 years minus one day from now is going to be my death day which certainly will be on Friday. One more important thing is that I must avoid myself from my past me when I’m in the past, otherwise I will never manage to go back when and where I actually belong.

To be frank, it is a pathetic tall order. Up till now, however, I never regret to use it again and over again. It is strange thing to wish to lose many days from your life but if every day that you are willing to foregone doesn’t bring any meaning to your life, why must you keep it for?

Gotta go now. Last week I hurt my best friend feeling and I did something morally wrong to my mum. I also ignored two of my friend’s request even though I knew at the first place that they really need my help and seeking for my advice. Plus, I also neglected someone who I do really care. It is the time to correct the mistake and stop doing something stupid in the future. I must not give up to revive what bad things I have done before, even though I have failed to have back my love, no matter how hard I tried and no matter how many time I went to the past.

Picture:

The above picture is not mine but it’s one of my collections; I got it from my friend and I’m sure that the picture also is not originally belong to him. All this while, I tried to trace the official address of the picture but still I unable to find one. Is anybody know to whom should I express my gratitude to?

Taj Mahal: The Symbol of Unshaken Love.





‘The Taj Mahal, a bewitching marble grave monument in the north Indian city of Agra, is a testament to the undying love of Moghul Shah Jahan for his wife Mumtaz. Between 1631 and 1648, he built this wonder in memory of her’

I have a very strong enthusiasm to discuss about love, lately and that feeling called me to share with you an enchanted structure of Indo-Islamic masterpiece so called ‘Taj Mahal’.

Described as ‘A tear on the cheek of the world’ by Rbndranath Tagore, an Indian poet, this magnificent monument with 22 domes and 4 tapering minarets, surrounded by 8 hectares gardens with decorative landscape, required over 20,000 workers and artisans for its finest completion. To ensure that the Taj Mahal does not sink into the ground, the building structure was designed to bear the dome weight by distributing it throughout the entire building.

Shah Jahan employed the Venetian Geronimo Veroneo and the Frenchman Austin de Brdeaux to decorate every surface of the monument with not fewer than 60 different types of precious stones; the surrounding stone can only be seen by a powerful magnifying glass. The architectural harmony and its aesthetics value remains no denial. At the point of his demise, in 1666, Jahan was buried there beside his beloved wife, Mumtaz.

Experts have debated about what makes the Taj Mahal unique and beautiful. Some suggest that it lies in the structures’ marvellous proportions and symmetry, while others argue in favour of the way that the marble buildings interact with the light, giving the Taj Mahal ever a changing character as the sun rises and sets. Still others believe that its inherent beauty lies in its purpose – a man seeking to cast in stone his love for his departed wife.

Back to our main course, how do you express you love? Does it compulsory for you to express your love in a material form like what Shah Jahan did; he lose all focus and perspective due to his obsessive sadness because of the death of Mumtaz and the mourning led him create Taj Mahal which later caused an emergency state of bankruptcy of the enormous cost of the Taj Mahal, or in a poetic form like Shakespeare did in his sonnet?

Does it via a repeated mobile phone calling for every single night or ‘I let you go, for now and for good’.

Source:

100 Wonders of the World; From Manmade Masterpieces to Breathtaking Surprises of Nature by Michael Hoffman and Alexander Krings.

Picture:

http://www.indiafolder.com/indian-monuments/img/Taj%20Mahal.jpg